Theo Hios, Abstract Oil on Canvas (1965)
Description
We wonder, is this an abstracted landscape or as an article on Hellenic Diaspora's website implies, is it an example of his foray into greater abstraction? The article states that Theo Hios's painting "gradually shifted towards abstraction in a more intense manner since the early 1960s, and was fully manifested through the circular formations he drew up until the end of the 1970s. In these new images of concentric or divergent circles on square or circular canvases, Hios combined spiritual and cosmic elements such as the movement of the planets and stellar bodies with Byzantine painting tradition and rendered them with the painting language of his era."
Details
- Theo Hios (Greek/American, 1908-1999)
- Untitled (1965)
- Oil on canvas
- Signed and dated on verso
- Newly cleaned, varnished and framed
About the Artist
From his January 16, 1999 obituary in The New York Times:
During his six-decade painting career, his style occasionally turned abstract, but he mostly hewed to expressive portraits and especially visionary views of nature that were sometimes reminiscent of Marsden Hartley. These landscapes often resembled the canyons and precipices around Tripi, the small Greek village where he was born in 1908. In 1929, after becoming disenchanted with law studies, Mr. Hios followed his father and a brother to New York, where he scraped together a living working mostly in restaurants. In 1934 he enrolled in a Works Progress Administration art class in a public school and by 1937 was a working member of the W.P.A. As a member of the Artists' Union, he had his first public showing with that organization in 1936.
In 1964 he and his wife bought a brownstone on a crime-ridden block on the Upper West Side of Manhattan. Rallying his neighbors, Mr. Hios helped found the 100 West 95th Street Block Association, serving as its president for eight years. It became a model for similar organizations.
From 1963 until his retirement in 1994 Mr. Hios taught at the New School for Social Research, where he also had five solo shows. His most recent exhibition, a 57-year survey, was held last year at the Susan Teller Gallery in SoHo.
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